Prada || Facism and Fashion

Miuccia Prada’s profound artistic expression as a household fashion designer explores the intriguing connection between Prada's first show and her nuanced commentary on fascism, drawing inspiration from key historical events and cinematic influences.

She took her audience in her debut Fall 1988 Milan Fashion Week runway show to the turbulent era of post-World War II and the aftermath of Benito Mussolini’s rule in Italy.

Drawing inspiration from the Italian Neorealist film movement of the 1950s, particularly Roberto Rossellini's iconic film "Rome, Open City," Prada masterfully infuses her collection with visual references and narrative subtleties.

By exploring the gritty reality and human experiences depicted in this cinematic gem, Prada cleverly incorporates themes of resistance, resilience, and the dichotomy of power.

Today, there’s no re-edition bag, mens sport shoes, headbands, or galleria bag, there’s not even Raf Simons or a slime curtain! But there is symbolism, historical references, and cultural significance that is woven throughout the first ever Prada show.

By examining the strange intersection of fashion and fascism, we gain a deeper understanding of the power of artistic expression to challenge and provoke thought through the medium of art that is fashion.